Divines è un film dall'estetica sorprendente, capace di immagini forti e ispirato dalle rivolte parigine del 2005. © 2020 The Hollywood Reporter Benyamina has a stylish opening sequence shot portrait-style on a phone. - Francia, Venue: Cannes Film Festival (Directors' Fortnight) But while Girlhood was more narratively and stylistically contained (sometimes to the point of fetishisation), Divines lashes out in too many directions, working its way toward a denouement that attempts to merge all its themes — friendship, survival, street life, social unrest, brawny male bodies witnessed through the female gaze — into a fireball of a finale that includes an actual fireball.

Divines ha avuto il suo momento di gloria a Cannes, dove si è goduto una stand ovation di dieci minuti e dove è stato premiato come migliore opera prima. L'invio non è andato a buon fine.

Jordan Mintzer The result is a work that showcases the distaff director’s raw filmmaking talents but may have to fight its way out of the usual Francophone ghettos. Genere Drammatico Like a delinquent little sister to Celine Sciamma’s Girlhood, debuting writer-director Houda Benyamina’s Divines tells a similar story about a girl from the French hood and her slow nosedive into a life of crime, but does so in ways that are explosive, erratic and ultimately too dependent on the plot points of a Hollywood thriller. And at school, she can hardly adapt herself to the discipline and hypocrisy that’s required, as witnessed in a tempestuous early scene where she absolutely mortifies one of her teachers. Yet despite such ambitions, Benyamina has a hard time maintaining her film's pace and plausibility, especially during a third act that slides too far into genre territory and its accompanying clichés. I like that.”. TWITTER con Oulaya Amamra, Majdouline Idrissi, Déborah Lukumuena, Kevin Mischel. by It’s unfortunate, then, that Divines succumbs to familiar B-level storytelling devices in its last act, undoing some of the inventiveness that was seen during the opening reels. They create a miasma of prosperity and Rebecca urges all her crew to visualise money and it will come: a terrible delusion. The latter aspect clearly recalls Girlhood, up to and including a glitzy diva dance sequence, although instead of a Rihanna song we get the Azealia Banks track “212” and its chorus of “I’m a ruin you, c—,” underscoring how much Divines is a cruder, unrulier version of the Sciamma movie (which also premiered in the Cannes Directors’ Fortnight sidebar). Sitemap | Se vuoi saperne di più, CANNES 69: I, DANIEL BLAKE VINCE LA PALMA D'ORO, Come un gatto in tangenziale... Ritorno a Coccia di Morto, The Bee Gees: How Can You Mend a Broken Heart, Undine, la video recensione del film di Christian Petzold, Un affare di famiglia, la video recensione, The Story of Movies - Episodio IX: Calcio e campioni, The Story of Movies - Episodio 8: Il thriller italiano, The Story of Movies VII: Jung Woo-Sung, 100 anni di cinema coreano, The Story of Movies - Episodio 6: Enzo D'Alò, il cinema d'animazione, The Story of Movies - Episodio 5: Il comico italiano, The Story of Movies - Episodio 4: Italian families, La vita straordinaria di David Copperfield, Trash - La leggenda della piramide magica, Palm Springs - Vivi come se non ci fosse un domani, Stasera in Tv: i film da non perdere di domenica 1 novembre 2020, «Cammina proprio come il mio James Bond».
At home — she lives in a sort of shantytown near the projects — her mother (Majdouline Idrissi) is an unhinged alcoholic who sleeps with anyone that will take her. Divines hits the ground running: an urban thriller from the Paris banlieues that is a little like Céline Sciamma’s Girlhood, mixed in with some freewheeling New Wave fun. Like Dounia herself, there’s no denying Benyamina’s desire to break through social and cultural barriers to create something powerful, and by casting the unknown Amamra, she’s found a perfect alter ego in an actress who can be exuberant, touching and off-putting at the same time. FACEBOOK Un mix di potere, successo, religione e ambizioni. She is a drama queen with a real temper, believing she should be a star, a vocation nourished by sharing mobile phone pictures and videos online. Attenzione. Their encounter, plus the burgeoning hostility between Dounia and Rebecca, leads the plot into increasingly aggressive waters as the movie shifts into genre mode for its second half.

Production companies: Easy Tiger, France 2 Cinema The Hollywood Reporter is part of MRC Media and Info, a division of MRC. Soon enough, Dounia and her wisecracking bestie, Maimouna (Deborah Lukumuena), are making a pretty penny themselves, the former hiding her stash in the wings of a municipal theater. Producer: Marc-Benoit Creancier There’s an explosion of energy in this very impressive debut movie from first-time French director Houda Benyamina, now showing on Netflix, which won the Camera d’Or at Cannes this year.
Director: Houda Benyamina She’s also landed the right DP in Julien Poupard, whose gritty yet colorful lensing (mixing HD and cellphone footage) captures the rawness of the locations depicted. It’s unfortunate, then, that Divines succumbs to familiar B-level storytelling devices in its last act, undoing some of the inventiveness that was seen during the opening reels. Addio a Sean Connery, una vita di cinema... e letteratura, I Am Greta, cronaca autorizzata dell'anno di attivismo di una paladina, per amore e per forza, Stasera in Tv: i film da non perdere di sabato 31 ottobre 2020, Strike - Il baco da seta, Cormoran e Robin indagano sull'omicidio di un noto scrittore, MEDFILM Festival 2020, 70 film da 30 paesi diversi in streaming su MYmovies, Rebecca, remake che trasforma la magia del passato in un'elegia moderna e sentita, Il rito delle streghe, un teen movie che esplora una stagione magica dell'esistenza, MioCinema, Francesco Bruni presenta al pubblico il suo Cosa sarÃ, Sulmona International Film Festival, visioni e metamorfosi in streaming su MYmovies. 4:30 AM PDT 5/19/2016 Production designer: Marion Burger durata 105 minuti. It’s a moment of weirdly childlike likability. Terms of Use |

Amamra is tremendously good as Dounia, a livewire, always seething at the personal insult that every aspect of her life now constitutes.

Benyamina — who directed several shorts and co-founded the banlieue-oriented film association 1000 Visages — tries to toss everything she can into the mix here (she’s not quite thrown in the kitchen sink, though there are a few Molotov cocktails) in an overstuffed scenario that certainly doesn’t skimp on violence, trash-talking and a very femme-centric depiction of thug life. Dettagli 2015,

In un ghetto che combina il traffico e la religione, Dounia brama potere e successo. Dai sobborghi cresce la brama di successo, destinata ad essere intrecciata agli incontri di percorso.

With Oulaya Amamra, Déborah Lukumuena, Kevin Mischel, Jisca Kalvanda. Cast: Oulaya Amamra, Deborah Lukumuena, Jisca Kalvanda, Kevin Mischel, Majdouline Idrissi

Divines (2016) Plot. It’s an exhilarating film. Apri il messaggio e fai click sul link per convalidare il tuo voto. . 105 min. Il film è stato premiato al Festival di Cannes, ha ottenuto 1 candidatura a Golden Globes, ha ottenuto 7 candidature e vinto 3 Cesar. | Cookie Settings. Director of photography: Julien Poupard Ribaltando i pronostici della vigilia, I, Daniel Blake è il vincitore della 69esima edizione del Festival di Cannes. Everyone does the obligatory flicking-dollar-bills-from-a-fistful mime – part bountiful, part contemptuous, part defiant. Hailing from one of those places outside Paris where everyone lives in demoralizing concrete towers, drug dealers rule the streets and the cops only show up when someone sets the parking lot on fire, Dounia (Amamra) seems to have few viable options in life. Casting director: Pierre-Francois Creancier Her current scam is shoplifting wearing a burqa with her friend Maimouna, but she needs to step up to the big league: working for local gangster Rebecca (Jisca Kalvanda) selling drugs and stealing petrol by siphoning it from cars and vehicles on a local building site. Privacy | Titolo originale: Bâtarde. EMAIL ME. Io non ho visto gli altri partecipanti ma ora posso dirvelo: Houda Benyamina è effettivamente una regista da tenere assolutamente [...] Rebecca soon gets a thing for the beautiful Dounia, who herself begins an affair with Djigui (Kevin Mischel), a dancer at the theatre where Dounia and Maimouna like to hang out, cheekily criticising the performers’ technique. Maybe the final five minutes are a little too over the top, but the overwhelming impression is that Dounia has ambition and vision, a conviction that she might still be able shape her own future. Regia di Uda Benyamina. It’s frothing with soap-opera intrigue and sex interest, but it climaxes on a very bleak note. A street teenager from a dysfunctional family from a banlieue (HLMs) in Paris comes across a young dancer who turns her life upside down. Divines hits the ground running: an urban thriller from the Paris banlieues that is a little like Céline Sciamma’s Girlhood, mixed in with some freewheeling New Wave fun. Vai alla recensione ». Sostenuta da Maimouna, la sua migliore amica, ha deciso di seguire le orme di Rebecca, uno spacciatore di droga rispettato. Film 2015